Saturdays | 7 – 10 pm
To hear an interview with John Penney, conducted by Peter Whorf, click here.
John Penney was born and raised in Ithaca, New York, and began hosting and programming weekly jazz and folk music programs on student owned commercial radio station WVBR-FM at the age of 15.
In 1967 WVBR became one of the first FM radio stations in the country to program “progressive rock.” John was instrumental in the creation of the format and became one of WVBR’s most popular on-air personalities, frequently featuring live studio performances on his show. He served as Music Director beginning in 1970, and continued to program jazz, folk, and rock programs through 1971.
In 1978, at the age of 25, John became the National Promotion Director of Amherst Records in Buffalo, New York, where he was instrumental in establishing the career of the platinum selling band Spyro Gyra. He also became the most popular jazz host on public radio WBFO, as measured by Arbitron and listener donations.
In 1984 John moved to Detroit as the Michigan Regional Representative for Action, and in 1989 was hired by Warner Elektra Atlantic as a sales rep. During his 15 year career with WEA John gained a national reputation as a creative and innovative marketer, among other things designing and executing the company’s first regional catalog promotion with Wal-Mart, which was used to leverage the first national event.
John joined the air staff of public radio WDET-FM in Detroit in 1986 as host of a music variety program. John pioneered the concept of presenting “all the varieties of music” in such a way as to demonstrate the continuity between diverse musical forms by making the connection between current and historic recordings. His program became one of the most popular on the air.
John is a popular and sought after MC for live events, and for years was a fixture on stage at the Detroit Jazz Festival in Hart Plaza. He helped to create an innovative format for radio broadcasts of the festival, and served as national co-anchor for five years. John began his association with the AMRF in 2004 when Ron Harwood asked him to MC the 6th Annual Motor City Boogie Woogie and Blues Festival. He became consultant/Director in September of 2005. John is also collaborating with Ron on a book about the life and times of classic blues singer Sippie Wallace and her siblings.
John’s Latest Playlist
Jazzfest Detroit 6-18-2022
Time Start Artist Title Album Label Year
7:00pm
TS Monk Sierre Two Continents Under One Groove Storyville 2022
Jimmy Owens Tet’s Cool One The Monk Project IPO 2012
Jean Baylor and Jazzmeia Horn We Swing The Baylor Project Be A Light 2021
Joshua Redman Brad Meldhau Father Round Again Nonesuch 2020
The Jazz Crusaders Freedom Sound The Festival Album Pacific Jazz 1966
Ellis and Branford Marsalis Sweet Lorraine Loved Ones Columbia 1996
Charlie Gabriel I’m Confessin’ “””89” Sub Pop 2022
Jeremy Pelt Be The Light Soundtrack High Note 2022
8:00pm
Harold and Gayelynn McKinney Ode to Africa The New Beginning Detroit Music Factory 2018
Regina Carter Shoo Rye Souther Comfort Sony 2014
Clark Terry Serenade To A Bus Seat Serenade To A Bus Seat Prestige 1957
Cannonball Adderley One For Daddy-O Something Else Blue Note 1958
Ken Nordine My Baby The Best Of Word Jazz Rhino 1957
Rahsaan Roland Kirk A Laugh For Rory The Inflated Tear Atlantic 1968
Joey De Francesco Ashley Blue Organ-ized High Street 1999
Wynton Marsalis JALC Isaiah Thompson Hymn to Fredom A Handful of Keys Blue Engine 2017
9:00pm
Thad Jones Mel Lewis Orchestra “Ah, That’s Freedom” All My Yesterdays Resonance 1966
Bernard Purdie & Eddie Harris Freedom Jazz Dance Soul to Jazz ACT 1996
Miles & Steve Brown Evidence of Soul and Body Evidence of Soul and Body Detroit Music Factory 2019
Gerry Gibbs & Terry Gibbs Hey Chick Songs From My Father Whaling City 2021
Buddy & John Pizzarelli Do Nothing Till You Hear From Me Live At the Vineyard Theatre Challenge 1987
Horace Silver Caper Verdean Blues Cape Verdean Blues Blue Note 1966
Roy Eldridge Roy’s Son Best of Little Jazz Verve 1957
Wow. I don’t get turn the radio up loud too often, but I got a rare Saturday night to myself, and this evening is an exception. Tonight’s program (1/29/22) is absolutely stellar! Thanks for putting together a great program John. Good thing it’s winter and everyone’s window and doors are shut or i might be disturbing the peace.
Thank you Lee, it’s nice to hear you really liked it!
I would like to know if the John Penney program from April 23rd Mingus 100 will be available on a podcast or replay. It was fantastic!
Hi Margaret, glad you liked it! Unfortunately we can’t save the episodes online because they have full songs in them. Sorry! Hopefully you’ll like the next episode just as much this Tuesday at 7pm.
Hi John, Driving home last night 12/9/21 at 800pm, enjoying the great and often new music I experience on your show. From 800 to apprx 815 there were three songs that really blew me away. I got the 1st- Dave Samuels- Sea Breeze (love latin jazz, live in Miami for 3 yrs! FUN!) Then next tune had this klunky Thelonious Monk feel to the opening , moving into tight rhythmic drum hits with some sweet bass work over this Chick Corea-esque groove and ended with a flute solo as it faded. Can you identify this song and the next, which to me sounded a lot like Nando Lauria? Those and many others send me down a spiral of musical experience. Great choices! Thanks, Scott Zanni
Hi Scott, glad you are enjoying the tunes! Here are the two songs after Sea Breeze:
Brilliant Corners
ARTIST:Geoffrey Keezer
ALBUM:On My Way To You
LABEL:MarKeez
Sublimity (Bunny’s Dream)
ARTIST:Marcus Miller
ALBUM:Laid Black
LABEL:Blue Note
It’s Saturday night, October 16, 2021, the eve of this year’s Free Press Marathon and you just finished describing the kick you get out of watching squirrels pelting various targets, maybe including people, with acorns. Then you cued up your next tune and missed the desired cut on your first three tries, but that just gave you more time to chat about squirrels, acorns, and the great music coming up. Thanks, John. I really enjoy your show.
I listened to the Detroit Jazz Festival 2021 and I have two comments.
First, as God transcends our religion, so God’s gift, music, transcends our tastes, our prejudices, our biases, and all our boundaries. The Festival was a sublime human continuity, together from a distance. So many persons and musicians speaking to me and us, soul to soul.
Second, the musicians offered their finest wine, with heartfelt generosity. That wine was fresh and unique, but truly aged by our times.
This was a wonderful Festival and thank you John and WRCJ for your part in bringing it to us.
Hello Rodger, thank you. John, Linda and Maxine enjoyed the Festival as well. Hopefully it came through on the air. Thanks for being a part of it!
If most other music radio programs are courses in music appreciation, John Penney holds court for a graduate level course, perhaps even a philosophical doctorate seminar. Your elucidation, John, of various artist’s craft, their personalities, connections, preferences, growth and artistic trajectories are presented as though you are sitting with colleagues presenting the history and significance without pretense. What comes through is your sheer love of the music and the art forms- a kind of agony and the ecstasy of the inner life of music. Thank you John Penney for your thoughts.
Thank you Rodger, that’s a kind, well written commendation. John will appreciate it.
Ditto!
As first a listener, and second a co-worker I second these appreciations of John Penney’s approach to jazz radio. Sublime and totally approachable.
Hey John, You might get an email from my nephew, Owen Marchell, a senior in high school in Ithaca. He’s into music right now during all this craziness, especially Frank Zappa. Somehow you name came up today during our long distance Christmas call. First time I haven’t been with family for the holidays in years. Hope all is well with you. I mentioned your brother Chris and it turns out he was classmates with my brother Tim, Owen’s father.
Here’s to a better 2021!
Chris
Thanks Christine, we’ll send to John.